To Analyze Shakespeare’s Views According to Indian Critics

Abstract

The ancient Indian legacy of art and ideas incorporates cosmic awareness from the Age of the Vedas and the Upanishads all the way up to the current Renaissance, giving India a significant edge when replying to Shakespeare. We have seen very innovative experimentation with unfaltering universality throughout the major creative epochs of the epics and ancient Sanskrit literature. Once again, this cosmic awareness is the same thread that connects Shakespeare with India. Shakespearean critique in India is the focus of this research. Within the context of Indian poetry and culture, Shakespeare has been both analysed and adapted. Around 1775, under the reigns of Johnson and Garrick, he made his debut here. Since he is still India's best-selling playwright, long after the country gained its independence, he was clearly the best investment the British could have made. The majority of our country's regional languages have adaptations or translations of his plays. They have also been performed in several theatres, but the concept of criticism as it is often understood— that is, the evaluation and study of literature did not emerge until much later in this region.